.video-rituale { position: relative; padding-bottom: 56.25%; /* 16:9 ratio */ height: 0; overflow: hidden; margin-top: 3em; margin-bottom: 2em; } .video-rituale iframe { position: absolute; top: 0; left: 0; width: 100%; height: 100%; border: 2px solid #ccc; border-radius: 8px; }

The Atlantic

Atlantic Feb 1, 2026

Logo di The Atlantic

The Atlantic 

Of no party or clique, since 1857.

Editoria: libri e pubblicazioni periodiche Washington, District of Columbia 2Mln di follower 201-500 dipendentiPanoramica

"The Atlantic will be the organ of no party or clique, but will honestly endeavor to be the exponent of what its conductors believe to be the American idea."​ —James Russell Lowell, November 1857 For more than 150 years, The Atlantic has shaped the national debate on politics, business, foreign affairs, and ... vedi altro Mostra tutti i dettagli 

The Atlantic

Visibile a tutti su LinkedIn e altrove

Apparent glitches within TikTok and the high stakes of this political moment created a perfect storm for conspiracy theories about the company’s actions, Kaitlyn Tiffany argues.

“Over the past several days, TikTok users have found themselves at a loss. Literally, I mean: They lost their audiences, and their view counts showed ‘0,’” Tiffany writes. For many, the explanation for the irregularities seemed obvious: “MAGA censorship.” The glitches appeared shortly after the platform’s U.S. business changed hands, spinning off from the Chinese company ByteDance into a new organization that counts among its investors Oracle, which was co-founded by Larry Ellison, a Donald Trump ally. The quirk was bizarre enough that California Governor Gavin Newsom said he would be launching a review “into whether TikTok is violating state law by censoring Trump-critical content.”In an email to Tiffany, a spokesperson said that the app is being run as it was before, and that American users will “continue to have the same experience they already know and love.” The company has blamed the issues on a power outage at one of its data centers, which it said caused a “cascading” systems failure affecting all types of content.“Unsurprisingly, a lot of people are not totally buying the explanation,” Tiffany writes. Trump has joked that he would make the app’s algorithm “100 percent MAGA” if he could, and during a moment when Americans are looking to their phones for up-to-date and on-the-ground information on events happening in Minnesota and elsewhere, “any whisper of intervention or suppression is natural cause for concern.”We are now “in a counterintuitive and paradoxical stage of content moderation, where some spaces are more chaotic than ever and others are more restricted in highly specific ways,” Tiffany continues. But the debate over how much social media influences what users see “is unresolvable, because users have no objective way to assuage their own doubt or confirm their own fears.”🎨:

Nessuna descrizione alternativa per questa immagine

The Atlantic

Visibile a tutti su LinkedIn e altrove

Opponents of gentrification often argue that poverty should be rectified by ever greater expenditure on public housing—but a new paper suggests that the opposite may be true, Idrees Kahloon

By the 1990s, Techwood Homes in downtown Atlanta—one of the first federal housing projects, completed in 1935—had fallen into disrepair. In 1993, Atlanta received one of the first grants awarded by the federal HOPE VI program, which “aimed to knock down the most decrepit public-housing projects in America and replace them with better housing,” Kahloon writes.Today, Techwood’s site is a mixed-income community with subsidized apartments alongside private, market-rate housing. “It was intentionally designed to reduce the isolation of the urban poor,” Kahloon continues—and “it’s succeeding.”A new, rigorous study of 200 HOPE VI sites, including Techwood, shows that the redevelopment significantly improved the lives of children. “The reasons reveal a crucial fact about economic opportunity,” Kahloon writes: “To have social mobility, you need social integration. "Read more: https://lnkd.in/ewkBdDKY📸: Antonio Dickey / Getty… altro

Nessuna descrizione alternativa per questa immagine

Eventi passati

SPONSORED
CTA Image

The Mouth of Truth is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Subscribe

In questo spazio non si paga per entrare: si entra perché si riconosce un’eco, un frammento di sé, un varco che merita di essere custodito.

Se desideri sostenere questo lavoro con un gesto libero, puoi farlo qui:

This space does not ask for payment to enter: you enter because you recognize an echo, a fragment of yourself, a threshold worth preserving.

If you wish to support this work with a free and voluntary gesture, you may do so here:

En este espacio no se paga por entrar: se entra porque uno reconoce un eco, un fragmento de sí mismo, un umbral que merece ser cuidado.

Si deseas apoyar este trabajo con un gesto libre y voluntario, puedes hacerlo aquí:

Tre lingue, un solo gesto. Ogni offerta diventa parte della storia di questo luogo.

Tags

Gianfranco Maitilasso Grossi

Editor, curator, and founder of bilingual platforms focused on cultural critique, legacy-building, and editorial transparency. Based in Spain, active across Europe and Southeast Asia.Championing editorial clarity, mythic publishing, and queer voice.